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- I watched This Means War, which is the most horrid conglomeration of offensive rom com cliches I've ever seen in one place. If you ever want a demonstration of what not to do, watch that movie. It says something that a movie with Chris Pine and Tom Hardy as best bros, where Tom says can you imagine having what we have with each other with a woman, and Chris says no, where they watch surveillance tapes of each other having sex, and it is still the least slashable movie in history. The least of the problems is that the two of them are inexplicably cousins.

I confess that I was mostly using it for background noise while completing other tasks, but it still made me feel like I needed a shower.

- On the other hand, I've started watching Foyle's War and it is fantastic. It is a police procedural set on the south coast of England during World War II. So though it's a procedural, and though it's on the homefront, it's really about the war. (And I need to warn for all sorts of horrible war related things. Let's just say, people of all ages die, and if you don't want to spend two hours bawling, skip the third episode.)

What I love about it is how it shows the little ways that the war changes things: like one character running late because she disabled the car the previous night, in case the Germans invade, and now can't find the missing part. Or that the only people around are children, old men, and women. And the few RAF pilots on active duty. That the town is populated by World War I vets, all of whom deal with the shadow of that war differently when facing this one. And that the crimes are largely opportunistic--people who think the war will cover for them.

It's really quite good, and packed with oh, it's that guy!s. In the first few episodes alone, you've got James McAvoy, David Tennant, the dude who played Brutus in Rome and some women who I swear were in Austen adaptations I've seen.

The only drawback is each episode is an hour forty minutes, so you put one on thinking you'll watch a little bit and take a break and next thing you know it's dinner.

Date: 2012-07-16 05:07 pm (UTC)
From: [identity profile] mithras03.livejournal.com
I think every actor in Britain has been in an Austen adaptation of some sort (whether it be the books, fanfiction - Lost in Austen anyone? - or apocryphal biopics. I will have to get started on Foyle's War.

Re: This Means War, I think I read somewhere that the director had an ending written where the two guys end up with each other, but of course, didn't film it. Would that have made it better? I don't want to have to watch the movie to answer that question. :-P

Date: 2012-07-16 05:22 pm (UTC)
From: [identity profile] ivy03.livejournal.com
No, it wouldn't. It's a horrifyingly sexist movie, with no chemistry at all between anybody. It's the sort of movie where Chris Pine is a creepy stalker who threatens Reese until she goes out with her and then spies on her so he can manipulate her and constantly shouts her down when she objects. TWU WUV.

Also, as I mentioned, the two guys are cousins. So having them end up together would be a mite creepy.

I forgot to mention--the chick from Hex is in Foyle's War, too. (And if you're going to watch it, I'm not kidding about the warnings.)

Date: 2012-07-16 10:06 pm (UTC)
From: [identity profile] jethrien.livejournal.com
Do they ever explain why their accents are different yet they're working for the same intelligence agency?

Date: 2012-07-17 12:45 pm (UTC)
From: [identity profile] mithras03.livejournal.com
The blonde one or Jemima Rooper? It doesn't really matter, I suppose - both are hella annoying.

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