P.S. I Love You
May. 10th, 2008 08:19 pmProving once again that I am powerless to resist any movie with an actor I'm crushing on in it, I watched P.S. I Love You.
I can see how this story would work in book form (though I haven't read it), but as a movie, it's all over the place. There are many good moments, but the overall ark of the movie sort of...isn't. There are a billion characters whose own arcs aren't followed through. I wasn't sure till the very end who some of those people were (I'm still not). Besides that the idea of the movie is just creepy. I'm sorry! It is. Her having this relationship with letters from her dead husband as if it's actually interactive. It reminds me of
cesperanza's SGA fic OK Computer, where Rodney builds a VR version of John after John dies. Except ces dealt with the problems of that set-up and I actually liked that story.
The movie had a lot of good moments--the individual scenes were generally quite good (except for all the many scenes with the dead husband which were generic romantic comedy). James Marsters has a great bit part. And of course, there's Jeffrey Dean Morgan's ass. Let me think on that for a moment.
While Irish accents are normally hot, inherently, I actually really didn't like JDM doing an Irish accent. For one it was really bad. Especially in a movie where he's against Gerard Butler who actually has one so you can hear the difference. Besides that, I think JDM's voice is sexy in general, and doing the accent covered up some of that normal sexiness. So let's have him play Americans from now on, hmm?
They also didn't really deal with the whole "oops, I just slept with my best friend's widow" thing. I loved that moment of recognition, and it made me realize I really wanted to be watching a different film entirely. A film where Holly and Gerry had a summer fling years ago and it didn't work out for either stupid teenage reasons or because of serendipity, like Gerry lost the piece of paper with Holly's phone number on it. I don't know. Insert plot contrivance here. But Gerry's always lamented the girl that got away to the point where William (JDM) knows all about it. Years later, William sleeps with this girl he meets at a pub (hmm, you think she has a type?), and only after realizes she's Gerry's Holly. And he totally would never have slept with the girl that his best friend was still holding a torch for, but he didn't know, and he kind of thinks he loves her, but then Gerry comes back into the picture and maybe Holly still has feelings for him, and it's this great source of contention between the two of them... Wouldn't that be a better movie? Of course, if I was writing it, William and Gerry would end up together in the end.
You know, it's a bad sign when the movie that's playing in my head is a lot better than the one on the screen.
I can see how this story would work in book form (though I haven't read it), but as a movie, it's all over the place. There are many good moments, but the overall ark of the movie sort of...isn't. There are a billion characters whose own arcs aren't followed through. I wasn't sure till the very end who some of those people were (I'm still not). Besides that the idea of the movie is just creepy. I'm sorry! It is. Her having this relationship with letters from her dead husband as if it's actually interactive. It reminds me of
The movie had a lot of good moments--the individual scenes were generally quite good (except for all the many scenes with the dead husband which were generic romantic comedy). James Marsters has a great bit part. And of course, there's Jeffrey Dean Morgan's ass. Let me think on that for a moment.
While Irish accents are normally hot, inherently, I actually really didn't like JDM doing an Irish accent. For one it was really bad. Especially in a movie where he's against Gerard Butler who actually has one so you can hear the difference. Besides that, I think JDM's voice is sexy in general, and doing the accent covered up some of that normal sexiness. So let's have him play Americans from now on, hmm?
They also didn't really deal with the whole "oops, I just slept with my best friend's widow" thing. I loved that moment of recognition, and it made me realize I really wanted to be watching a different film entirely. A film where Holly and Gerry had a summer fling years ago and it didn't work out for either stupid teenage reasons or because of serendipity, like Gerry lost the piece of paper with Holly's phone number on it. I don't know. Insert plot contrivance here. But Gerry's always lamented the girl that got away to the point where William (JDM) knows all about it. Years later, William sleeps with this girl he meets at a pub (hmm, you think she has a type?), and only after realizes she's Gerry's Holly. And he totally would never have slept with the girl that his best friend was still holding a torch for, but he didn't know, and he kind of thinks he loves her, but then Gerry comes back into the picture and maybe Holly still has feelings for him, and it's this great source of contention between the two of them... Wouldn't that be a better movie? Of course, if I was writing it, William and Gerry would end up together in the end.
You know, it's a bad sign when the movie that's playing in my head is a lot better than the one on the screen.
no subject
Date: 2008-05-11 12:37 am (UTC)no subject
Date: 2008-05-11 12:43 am (UTC)no subject
Date: 2008-05-12 05:08 am (UTC)no subject
Date: 2008-05-12 04:43 pm (UTC)In Catch and Release, I also loved the guy friend that was like, well, I've always loved you and we're friends, and now your fiance's dead, so we should get together, y/y? And how it's pointed out how stupid that assumption is.
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Date: 2008-05-12 05:27 pm (UTC)That guy friend was sad, but yeah, he was far too creepy. Dude, you just don't cherish that sort of thing and then spring it on someone even if you think that their sleeping with someone else means they're over the dead lover. It just seems like you've been waiting for that guy to die...
no subject
Date: 2008-05-12 04:06 pm (UTC)