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Oct. 22nd, 2006 10:56 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Also, I've never really liked magic acts. There's just that little bit of the monstrous in it - the hint that something horrible is happening just behind the curtain. This movie uses that innate fear of illusions magnificently. The audience is made into an unwilling participant in the barbarity of the tricks. The very first trick you see - the metaphor for the whole movie - is shown to an innocent little girl. The trick is killing a bird, which she delights in. The magician is making the audience delight in and applaud something they would abhor if they knew the truth of it. But no one in an audience wants to know the truth; they're all conspirators in the act.
trakkie pointed out that she's seen that birdcage trick. I don't know if crushing a bird is how magicians now do it, but if so, then
trakkie and everyone else in the audience cheered as a man crushed a bird to death.
I just keeping having this vision of a bloodthirsty audience applauding night after night as a man drowns. *shudders*
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I just keeping having this vision of a bloodthirsty audience applauding night after night as a man drowns. *shudders*
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Date: 2006-10-23 03:10 pm (UTC)no subject
Date: 2006-10-23 03:16 pm (UTC)no subject
Date: 2006-10-23 03:26 pm (UTC)no subject
Date: 2006-10-23 03:44 pm (UTC)There's also a whole theme going through of his relationship to his mother. In order to survive as an immortal, he has to disappear for a while, get a new identity, hide until he is strong enough to fight. This is what Duncan tells him to do, but Cimmoli can't imagine running out on his devoted mother. Duncan doesn't seem to see this as that big a deal -- you're immortal now, your mortal life is over, she was part of that mortal life, you need to abandon her. Cimmoli clinging to the fame is partly to fulfill his mother's dreams.
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Date: 2006-10-23 04:18 pm (UTC)